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The Matt Damon and Ben Affleck Movie Draft. Plus: ‘The Rip.’

Sean Fennessy, Amanda Dobbins, and Chris Ryan discuss the surprisingly strong January 2025 movie slate, including The Rip starring Matt Damon and Ben Affleck, before conducting a comprehensive draft of both actors' filmographies.

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Key Takeaways
  1. 01

    January 2025 is delivering unexpectedly strong films like 28 Years Later, Bone Temple, and Primate, defying typical 'dump month' expectations

  2. 02

    The Rip reunites Matt Damon and Ben Affleck as Miami cops discovering millions in cash, with Netflix paying them based on success rather than flat fees

  3. 03

    Artist Equity's business model uses streamers as 'drive-in theaters' to rebuild Hollywood's missing middle-class movies at $75 million budgets

  4. 04

    Matt Damon has worked with Steven Soderbergh on nine films, making it his most prolific director-actor partnership

  5. 05

    Ben Affleck's directorial career includes Best Picture winner Argo, balancing the scales with Damon's broader starring vehicle success

  6. 06

    The Rip's plot involves Damon's character telling different team members varying amounts about a stash house to identify potential informants

  7. 07

    Gone Girl remains 'the single best movie made about Ben Affleck' according to the hosts' assessment of his filmography

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Sean Fennessy, Amanda Dobbins, and Chris Ryan discuss the surprisingly strong January 2025 movie slate, including The Rip starring Matt Damon and Ben Affleck, before conducting a comprehensive draft of both actors' filmographies.

The conversation explores how January has evolved from a traditional 'dump month' to featuring genuine quality films like 28 Years Later, Bone Temple, and Primate, suggesting a shift in Hollywood's release strategy.

The hosts examine Matt Damon and Ben Affleck's current iteration through Artist Equity, their production company that creates mid-budget films for streamers, drawing parallels to the Hollywood ambassadorship described in Adventures in the Screen Trade.

January's Unexpected Movie Renaissance

January 2025 defies 'Dump-uary' expectations with strong releases including 28 Years Later, Bone Temple, and Primate, marking potentially the best January in recent memory.

Historical January analysis reveals 1996 featured three mainstream comedies on the same day: Biodome, Don't Be a Menace, and Dunstan Checks In, while 2006 brought High School Musical.

The shift toward original programming in January creates 'the last bastion of original movies' rather than traditional studio castoffs.

The Rip: Miami Cops and Netflix Innovation

Joe Carnahan's The Rip stars Damon and Affleck as Miami cops who discover millions in cartel cash, with an overqualified cast including Tiana Taylor and Kyle Chandler.

Netflix paid Damon and Affleck based on success metrics rather than flat fees, with Bela Bajaria stating 'we did it because it's Matt and Ben' but won't repeat the model.

The plot involves Damon's character telling different team members varying amounts about the stash house money to identify potential informants among the police.

"This is what happens when a B movie gets A stars" - the film elevates familiar material through charisma and style rather than innovative storytelling.

Artist Equity's Hollywood Middle Class Revival

Damon and Affleck's Artist Equity uses streamers as 'drive-in movie theaters' to create $75 million films instead of $200 million blockbusters.

Their current approach mirrors the character William Goldman inhabits in Adventures in the Screen Trade, serving as articulate ambassadors who genuinely love discussing movies and filmmaking.

The company's profit-sharing model streams money down to all project participants, representing a conscious effort to rebuild Hollywood's missing middle class.

Career Draft: Damon vs Affleck Legacy

Matt Damon's nine-film collaboration with Steven Soderbergh (including three Ocean's films, The Informant, and Behind the Candelabra) represents his most prolific director partnership.

Ben Affleck's Best Picture win for Argo as director balances against Damon's broader box office success, creating 'neck and neck' career comparisons.

The draft categories included Blockbuster ($100M+), Oscar Nominee, Matt and Ben Together, Directed/Produced By, Supporting Role, and Wildcard selections.

Key selections included Goodwill Hunting (Chris), Gone Girl and Field of Dreams (Amanda), The Departed and Rounders (Sean), highlighting their diverse filmographies.

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